- I’ve had poems recently appear in Tinderbox Editions (with other amazing poets like Peter LaBerge and Tiana Clark–you can read the issue we appear in here), Devil’s Lake, Gulf Coast (I freaked out when I saw the issue: Traci Brimhall, Sara Eliza Johnson, Shane McCrae, my mentor Ilya Kaminsky and so many other stars in there) and The Adroit Journal, where my dearest friend M.K. Foster and I get to live our dream of finally having poems together, and it’s made even sweeter since our work shares space with Kaveh Akbar, Jennifer K. Sweeney, Matthew Nienow, Carolina Ebeid, and so many other amazing poets (which you can read here).
- The Poetry Society of America interviewed Memorious Editor-in-Chief and fabulous poet, Rebecca Morgan Frank, about Memorious, and she was kind enough to highlight my poem, “Why You Tried to Drown,” as a recent poem she loves! Check out the interview here, and if you’re interested in reading the poem, here it is!
- I also had the joyous opportunity to be a part of The Adroit Journal Mentorship Program, where I worked with two amazing high school poets for the past six weeks. Seriously, this was such a wonderful experience, and my mentees were so brilliant, insightful, and joyous to work with.
More new work is coming out later in the year, so more soon!
I received my contributor copy of Third Coast (which happens to be their 20 year anniversary issue!) and am so thrilled about it. The poem, “Anti-Pioneer,” actually began from a prompt Timothy Donnelly gave my workshop at the Juniper Writing Institute, and I couldn’t be more grateful for that prompt or his support.
The issue is seriously full of goodness–seriously, take a look at the Table of Contents! I’m lucky to be in an issue with my friend Anna Goodson, plus amazing poets Wesley Rothman, Lo Kwa Mei-en, Emilia Phillips, Ruth Baumann, and so so so many more talented writers.
I’ve been busy working on the next books for Locked Horn Press, reading for Cider Press Review and The Los Angeles Review (send to us!), and catching up on some overdue reading (currently am in love with Shane McCrae’s The Animal Too Big to Kill and Jenny Offill’s Dept. of Speculation). But tonight I got news that the new issue of burntdistrict is officially live, and I am so lucky to have two poems in it! “When You Find Me, Ragged, Remember” was probably sent out a good 40+ times (definitely over 2 years), and “Ceremonial: Heart of the Trottered Beast” is one I workshopped a bit this past summer at the Tin House Writers’ Workshop. I cannot thank Liz Kay, Jen Lambert, and my dear friend Lauren Gordon, who guest-edited such a beautiful issues with stunners like Flower Conroy (a dear friend), Hanif Abdurraqib, Maggie Smith, and many more.
I’ve been busy with a lot of family time (holidays, right?), so I’m finally getting a chance to breathe and update.
First, I had a poem published in The Grief Diaries in December. I cannot thank Carlie Hoffman for asking me to send her some poems and for supporting my work since we met two years ago.
Second, I found out that I made someone’s required reading list! His name is Anthony Frame, and he listed his 50 or so poems that he returned to throughout the year here. My poem, “Why You Tried to Drown” (published in Memorious) is listed with my dear friends Peter LaBerge and EJ Koh, along with poets I admire (Kazim Ali, Jennifer Givhan, Sara Biggs Chaney, Danez Smith, Ocean Vuong, and many others). It’s surreal, to say the least, since you never know who your work reaches (unless they reach out and tell you, or like the post where you share your work, sure!).
I’ve also made a reading resolution: to read all of the books on my bookshelf. We’ll see how it goes–I have a lot of long-winded fiction on my shelves, so I would be happy to complete all the poetry collections and at least 10 novels/short story collections.
So, there you have it! Here’s to 2016!
I entered college as an Econ major with plans to become a fashion marketer and write on the side. As soon as I finished my first Econ class, I decided I didn’t enjoy it and wanted to pursue an English major instead. When I told my roommate at the time, she let me know that she was taking a poetry course, and told me to take it since she knew I was writing poems in my journal. So once I got through some of the general requirements, I found myself in my first official poetry class in Winter 2010 and on my way to pursuing an emphasis in Creative Writing.
My first poetry professor, Leah Dunham, was absolutely fantastic, and like any curious student, I googled her one day. That’s when I discovered Leah’s poems in Blackbird, and fell in love not only with her poems, but with the journal as well. They were my first favorite journal, one I pointed everyone to whenever journals or poems were brought up, and they have remained one of my absolute favorites since.
So, fast forward and now I have two poems in Blackbird. When I got the acceptance letter, I nearly passed out in my office. It’s honestly such a good issue, too–my friend Ruth Madievsky has two gorgeous poems, and I’ve been reading Kimberly Grey’s “How We Take Our Grief” at least once a week since the issue came out a few weeks ago (and both of them have books coming out in 2016, wink wink).
So, totally dream status/update/read Blackbird forever and ever–like I said, they publish amazing work, and it’s a dream to have these poems in there.
The new issue of Four Way Review came out a few days ago, and I am so incredibly happy to have two poems in it. You can read and listen here, but I highly recommend reading everything (especially because one of my favorite poets, Sally Wen Mao, has two fantastic poems in it as well).
Last year, Geosi Gyasi (who runs a fantastic blog) asked me what poem of mine was the most difficult to write. At the time, I answered that I was writing a dream poem, which are already so difficult to write, but that it was based on a dream that a friend and I ended up having the same night when I visited him. Well, shortly after the interview I finished the poem and sent it to Meridian’s Editors’ Prize, and placed as a finalist! I didn’t win $1,000, but this poem appearing in Meridian still feels like a win to me (especially because they publish so many amazing poets/poems).
So, if you’re in the mood for a dream poem that also ruminates over nostalgic desire, then read my poem, “Dream Ladder,” today!
I’m so excited to have two poems in Ruminate Magazine–the issue hasn’t arrived at my house yet, but it certainly looks beautiful. I’m excited that the issue ended up having a theme called “Writ in Water,” and we could write contributor notes to think about ways in which water may work in our work. I’ve been obsessed with water for a long time, and discuss it in my contributor note, which you can read here and browse the table of contents and a few sample pieces.
The other thing about this issue is that the two poems happen to be part of the same sequence that follows a modern-day apostle figure. One poem, “apostle,” is the very first poem I wrote in the sequence before realizing it would become such, while “apostle delivers in the kitchen” became the last poem in the sequence (and happens to currently stand as the last poem in the manuscript I’m sending out).
So, there you have it! Make sure to purchase a copy–I honestly can’t wait to read all the pieces in it.
I returned from my vacation in Seattle to the wonderful news that the new issue of Memorious went live! I’m fortunate to have two poems alongside my friend Catherine Pond and so many other amazing poets. Make sure to read the entire issue (and previous ones, too–seriously, so many wonderful pieces).
The Tin House Writer’s Workshop (a.k.a. #thww15) ended yesterday. Seriously, I can’t recommend it highly enough. I studied with Natalie Diaz, who was so generous with her comments and time, and lucked out with a wonderful workshop.
Speaking of wonderful workshops, last year I went to the Juniper Summer Writing Institute, where I began writing what I called “girls gone vile” poems. A majority of those poems have now been broken and repurposed into other poems, but one that has stayed in tack is the very first one I wrote, “girl gone vile: portraiture,” which is now in the summer issue of Sixth Finch! I’ve loved so many poems I’ve read there, and am so excited that this poem found its home.